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The International Criminal Court (ICC) in The Hague investigates and tries individuals accused of the most serious international crimes: genocide, war crimes, crimes against humanity, and aggression.
Lens on law: Edges of Proximity
Salome Erni, Daria Radu and Anastasia Troshkova
The T.M.C. Asser Instituut and the Royal Academy of Art The Hague (KABK) proudly present 'Lens on law: Edges of proximity' - a collective exhibition that explores the intersection of international law and visual arts. Opening on 28 February 2025, the show features work by three emerging photography artists who have collaborated with international law researchers to artistically reflect on complex legal concepts and to make them more accessible to the public.
The exhibition by three 4th year KABK photography students, Daria Radu, Anastasia Troshkova and Salome Erni, tackles, questions and translates systems of justice, legal frameworks and institutions of juridical power. It presents three very distinct perspectives on international legal topics, that were developed during a three-month artist in residency programme at the T.M.C. Asser Instituut, a research centre for international and European law based in The Hague, International City of Peace and Justice. The residency, inspired by the institute's research agenda 'Rethinking public interests in International and European Law', aims to create greater understanding and engagement with international and European law through visual storytelling.
In her work ‘[RESTRICTED]’, Daria Radu addresses the architecture of international legal institutions in The Hague, demystifying these spaces by highlighting their human elements and questioning their accessibility to the public. Daria was granted access to the International Criminal Court (ICC) and the International Court of Justice (ICJ) and documented the metaphorical cracks of the seemingly perfect buildings, drawing attention to the mundane and unnoticed. While justice is destined for everyone, international law is a construct covered in intricate layers of inaccessibility, she concludes.
Anastasia Troshkova similarly explores proximity and distance in her work ‘A Testimony of Birdwatching’, where she investigates the role of consumer drones in modern warfare and international law. Her work delves into the visual function of small, manoeuvrable ‘first-person view’ (FPV) drones - both as contemporary cameras and as tools for remote-controlled killing. While Anastasia previously used drones for photography, video-making, and entertainment, she now focuses on footage widely shared on the internet - captured by drones shortly before their deadly attacks. Using a Polaroid camera, she challenges the distance and the detached gaze that drones create between reality, the operator, and the spectator.
Salome Erni works with the visual traces of Case No. ARB/24/44, an international arbitration between a gas company and the Netherlands which was filed in October 2024. The work not only speaks about the gas exploitation controversy in Groningen, but also about the designed inaccessibility of investor-state dispute settlement (ISDS) arbitrations and a world where states are often complicit with companies when the revenues are high enough, until the people pressure them to reconsider. By borrowing the language of activism, Salome tackles the abstract postcolonial frameworks of international dispute settlement and asks the audience: Where is the public interest?
On Thursday 13 March, a public event will be held with the artists and speakers from the Asser Institute and the KABK to discuss their perspectives on art and international law.
Salome Erni, Daria Radu and Anastasia Troshkova
Exhibition
28.02.2025 — 13.03.2025
Opening
28.02.2025, 19:00 hrs.
Location
Location: West Den Haag de de vml. Amerikaanse ambassade, Lange Voorhout 102, Den Haag
Location
Paradise, Groenewegje 136, 2515 LR The Hague
The T.M.C. Asser Instituut and the Royal Academy of Art The Hague (KABK) proudly present 'Lens on law: Edges of proximity' - a collective exhibition that explores the intersection of international law and visual arts. Opening on 28 February 2025, the show features work by three emerging photography artists who have collaborated with international law researchers to artistically reflect on complex legal concepts and to make them more accessible to the public.
The exhibition by three 4th year KABK photography students, Daria Radu, Anastasia Troshkova and Salome Erni, tackles, questions and translates systems of justice, legal frameworks and institutions of juridical power. It presents three very distinct perspectives on international legal topics, that were developed during a three-month artist in residency programme at the T.M.C. Asser Instituut, a research centre for international and European law based in The Hague, International City of Peace and Justice. The residency, inspired by the institute's research agenda 'Rethinking public interests in International and European Law', aims to create greater understanding and engagement with international and European law through visual storytelling.
In her work ‘[RESTRICTED]’, Daria Radu addresses the architecture of international legal institutions in The Hague, demystifying these spaces by highlighting their human elements and questioning their accessibility to the public. Daria was granted access to the International Criminal Court (ICC) and the International Court of Justice (ICJ) and documented the metaphorical cracks of the seemingly perfect buildings, drawing attention to the mundane and unnoticed. While justice is destined for everyone, international law is a construct covered in intricate layers of inaccessibility, she concludes.
Anastasia Troshkova similarly explores proximity and distance in her work ‘A Testimony of Birdwatching’, where she investigates the role of consumer drones in modern warfare and international law. Her work delves into the visual function of small, manoeuvrable ‘first-person view’ (FPV) drones - both as contemporary cameras and as tools for remote-controlled killing. While Anastasia previously used drones for photography, video-making, and entertainment, she now focuses on footage widely shared on the internet - captured by drones shortly before their deadly attacks. Using a Polaroid camera, she challenges the distance and the detached gaze that drones create between reality, the operator, and the spectator.
Salome Erni works with the visual traces of Case No. ARB/24/44, an international arbitration between a gas company and the Netherlands which was filed in October 2024. The work not only speaks about the gas exploitation controversy in Groningen, but also about the designed inaccessibility of investor-state dispute settlement (ISDS) arbitrations and a world where states are often complicit with companies when the revenues are high enough, until the people pressure them to reconsider. By borrowing the language of activism, Salome tackles the abstract postcolonial frameworks of international dispute settlement and asks the audience: Where is the public interest?
On Thursday 13 March, a public event will be held with the artists and speakers from the Asser Institute and the KABK to discuss their perspectives on art and international law.