Thuistezien 61 — 22.05.2020

No View, The Radio VII
Katilluik and the Warp
Bill Orcutt



Bill Orcutt is a virtuoso guitarist from the US whose playing combines the very rich history of American guitar folk with the physicality and noise of free jazz. For this reason he stands out as a very unique character in both fields of music, his work being both melodic and emotionally rich yet very expressive and explosive, and often free from rhythm and traditional structures. This piece, an improvisation performed specifically for this series, is an example of his more melodic and meditative playing, serving as a calming force, as the home made video exemplifies, a reflection on the subtle comfort found in certain everyday activities.


About the series: No View, The Radio
The arts are taking a break. Theaters, museums, concert halls and galleries are closed. To a large extent, the art that is so desperately needed right now is inaccessible. Imagine being quarantined at home without films, without books, without music. Though we may not access the art, we can still think about it. The enforced rupture of this isolation can also be an opportune moment to reflect on and from, the arts. Every Friday for the upcoming weeks we will showcase original musical works by different artists, selected by Alex Andropoulos.


Overview episodes No No View, The Radio

I. House Flood — Sholto Dobie
II. Heaps — Saber Rider
III. Detached [ but Interconnected ? ) — Alexandropoulos–McEwan & Sasha Zalivako
IV. Salon Gout — Wanda Group
V. West jam — Goze
VI. Your Feeling — Genevieve Murphy
VII. Katilluik and the Warp — Bill Orcutt
VIII. YSTERA — Tzitzifriki[a]
IX. The Moon, the Bear and the Princes — Orphan Fairytale & Katja Louisa Stonewood
X. Look in all directions — Yeah You
XI. Uileboombox — Lyckle de Jong
XII. Pane, Both Sides — Edgars Rubenis
XIII. Touching a Mountain — Katherina Heil & Rik Möhlmann
XIV. On the Platform — Booker Stardrum + Chris Williams
XV. Stalingrad 1917 — The Rebel
XVI. Rainbow Bits — City Dragon
XVII. You Would Sound Much More Convincing If You Spoke As If You Cared — Horse Whisperer & Anna Danielewicz
XVIII. Rehearsal 06.08.2020 — Kurws
XIX. Planetary Synchronicity 2 — Alexander Johannes Heil
XX. Leaks — Soft Tissue
XXI. Realistik Soap — Cindy Lee
XXII. Stand Your Ground and Hold Water — ch
XXIII. 00 03 58 23 — Farida Amadou
XXIV. Western Front — Sarah Davachi
XXV. Protection from City Planning — Wendy Eisenberg
XXVI. Tone Cloud — Tsev
XXVII. This Could Be Any Day — Comfort
XXVIII. Hypocrisies of Improv — Kevin Shea
XXVIV. Number One — Sasha Zalivako
XXX. Selten gehörte Hausmusik — Black to Comm
XXXI. Improvisation on ‘An Air Swept Clean of All Distance’ — Rhodri Davies
XXXII. Paradoxes — Mariam Rezaei
XXXIII. Untitled —  Tongue Depressor
XXXIV. Tara Clerkin Trio —  Tara Clerkin Trio
XXXV. Wrens sing all the winter through, frost excepted —  Ernest Vilsons
XXXVI. Sticky —  Still House Plants
XXXVII. For West Den Haag —  David Fenech + Klimperei
XXXVIII. Summer Of Love —  Watkins/Peacock
XXXVIV. The Turn Things Take — John Butcher
XXXX. Unsound Body — Emile Van Helleputte
XXXXI. Non Human Logic — Helena Celle
XXXXII. Lost in Deep Taiga — Abiboss
XXXXIII. Ultramix — Skrot Centralen
XXXXIV. Sonic Cartographies for Plotters #1 — Sébastien Robert
XXXXV. Measuring your Metaphysics & Removing our Aesthetics — The Modern Institute