West proudly announces ‘The Theory of Freedom’, an ambitious presentation of German-Norwegian artist Bjørn Melhus, to be held at different locations in Den Haag and Rotterdam. At Kunsthal Rotterdam, Part One sees the world premiere of the expanded cinema project ‘The Theory of Freedom’. At West in Den Haag, Part Two presents six video works that address surveillance and the politics of fear in mass media. Part Three takes the shape of a screening during the International Film Festival Rotterdam, which revisits five earlier works by Melhus.

A selection of single screens works are screened during International Film Festival Rotterdam’s short film program. The selected works address notions of subjective inner spaces, trauma, and identities. More info & tickets: www.iffr.nl

Das Zauberglas (1991)
Weit, Weit Weg (1995)
Auto Center Drive (2003)
Afterlife (2010)
I Am Not Your Enemy (2011)

Melhus’ depiction of everyday reality framed within non-fictional narratives blurs with the fictional and dramatized world. By mimicking well-known personalities, and mixing together popular culture motifs, and media strategies, he seduces and terrorizes the complicit observer of mainstream culture. In The Theory of Freedom II, the symbiotic and manipulative relationship between host and audience is disturbingly emphasized in surveillance and the politics of fear. He sharply observes and unnerves the nuances of mass media consumption to craft new scenarios that oscillates between dark and humorous. In ‘The Oral Thing’ (2001), he dissects sensationalism and voyeurism in televised religion and daytime talk shows, and agonizes over the slick editing techniques of blockbuster movie trailers in ‘The Castle’ (2007). While ‘The City’ (2007) evokes the feeling of impending threat with night shots of major cities flowing by one after the other. Similarly the spectator is then bombarded with terror and doom rhetoric in ‘Sudden Destruction’ (2012). In ‘Policia’, (2007) the competing forces for power vie for rapt attention. In ‘Deadly Storms’ (2008) US mainstream news journalism is paraded as propaganda transformed into a disembodied ‘talking head’ oracle. In The Theory of Freedom II Melhus skilfully deconstructs representations of power, faith, and paranoia that spill out into a murky and glistening alternate reality that is shockingly similar to our own.

Parallel events

The Theory of Freedom I
Kunsthal Rotterdam — 24 January to 1 March
More info here.

The Theory of Freedom II
West Den Haag — 31 January to 28 February
More info here.

Me Against Us
Debate at Kunsthal Rotterdam – Friday 6 February 17.30 h.
Moderated by Liesbeth Levy (Lokaal, Rotterdam) with: Joost de Bloois, Hedwig Fijen, Pascal Gielen, Stefan Heidenreich, and Bjørn Melhus. More info & rsvp here.

Bjørn Melhus (1966, Kirchheim unter Teck, Germany) lives and works in Berlin. He has been presented and awarded at several international film festivals. He has had screenings in Tate Modern, London, LUX, London, Museum of Modern Art, New York and Centre Pompidou, Paris. In the exhibition context, he has shown at 54th Venice Biennale, Whitney Museum, New York; 8th Istanbul Biennial, as well as solo and groups shows at FACT Liverpool; Serpentine Gallery, London; Sprengel Museum, Hannover; Museum Ludwig, Cologne; ZKM, Karlsruhe and Denver Art Museum amongst others.

For more info, a meeting with the artist or press photos contact Eloise Sweetman: eloise@westdenhaag.nl For additional information on the The Theory of Freedom at the Kunsthal Rotterdam contact Sabine Parmentier: 010-4400321, 06-52636232 or Mariëtte Maaskant, 010-4400323; communicatie@kunsthal.nl